Poisonous Muse: The Female Poisoner and the Framing of Popular Authorship in Jacksonian America
The nineteenth century was, we have been told, the “century of the poisoner,” when Britain and the United States trembled under an onslaught of unruly women who poisoned husbands with gleeful abandon. That story, however, is only half true. While British authorities did indeed round up and execute a number of impoverished women with minimal evidence and fomented media hysteria, American juries refused to convict suspected women and newspapers laughed at men who feared them.
This difference in outcome doesn’t mean that poisonous women didn’t preoccupy Americans. In the decades following Andrew Jackson’s first presidential bid, Americans buzzed over women who used poison to kill men. They produced and devoured reams of ephemeral newsprint, cheap trial transcripts, and sensational “true” pamphlets, as well as novels, plays, and poems. Female poisoners served as crucial elements in the literary manifestos of writers from Nathaniel Hawthorne and Edgar Allan Poe to George Lippard and the cheap pamphleteer E. E. Barclay, but these characters were given a strangely positive spin, appearing as innocent victims, avenging heroes, or engaging humbugs.
The reason for this poison predilection lies in the political logic of metaphor. Nineteenth-century Britain strove to rein in democratic and populist movements by labeling popular print “poison” and its providers “poisoners,” drawing on centuries of established metaphor that negatively associated poison, women, and popular speech or writing. Jacksonian America, by contrast, was ideologically committed to the popular—although what and who counted as such was up for serious debate. The literary gadfly John Neal called on his fellow Jacksonian writers to defy British critical standards, saying, “Let us have poison.” Poisonous Muse investigates how they answered, how they deployed the figure of the female poisoner to theorize popular authorship, to validate or undermine it, and to fight over its limits, particularly its political, gendered, and racial boundaries.
Poisonous Muse tracks the progress of this debate from approximately 1820 to 1845. Uncovering forgotten writers and restoring forgotten context to well-remembered authors, it seeks to understand Jacksonian print culture from the inside out, through its own poisonous language.
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In The Poisonous Muse Sara L. Crosby makes a strong case for the use of the poisoning female as both a negative and a positive metaphor with the positive use being uniquely American during the ... Read full review
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abject aesthetic American literature Andrew Jackson antebellum Apollonius argues aristocratic Aubépine audience avenging Beatrice Beatrice’s beauty become Boston Courier Boston Morning Post British Burkean Chapman Confession contrast crime criminal critical death democracy Democratic allegory Democratic female allegory Democratic poisoner doctors dominant Dora Edgar Allan Poe elite Endymion female poisoner feminine feminist frame gender genius George George Lippard Giovanni Halttunen Hannah Kinney Hawthorne Hawthorne’s humbug husband innocent instance italics Jacksonian John Keats jury Keats Keats’s Kinney’s lamia Ligeia Lippard literary Lucretia Cannon Lycius male man’s Mary Jane Gordon men’s metaphor monster moral murder muse mystery narrative narrator Nathaniel Hawthorne newspapers novels pamphlets papers patriarchal petticoat affair plot Poe’s poet poisonous woman political popular authorship print culture Quaker City Rappaccini’s Daughter readers reframing Review rhetoric rumor seems sensational sexual siren story sublime sympathy tale texts tion transform Trial of Hannah truth Undine victim voice Whig womanhood words