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the Optimistic Theory I
the Renaissance Conflict
Macbeth and Antony and Cleopatra
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action Aeschylus angels animals Antony and Cleopatra audience beast beginning belief body century chaos character chronicle play concept conflict conventional Coriolanus creatures death described difference between appearance doth dramatic earth Elizabethan emphasized evil fact fashion Faustus feel final gives God's gods Gorboduc Hamlet hath heavens Henry hero hierarchy human nature Iago ideal individual intellectual kind King Lear kingship last plays Lear's Leontes living lust Macbeth Machiavelli macrocosm man's nature merely mind Montaigne morality morality play Nature's Noble Kinsmen Othello passion picture Plutarch present Primaudaye Prince Prospero re-inforced reality reason relation Renaissance Richard Sabunde says scene seems sense Shake Shakespeare situation sixteenth sixteenth-century soul speaks speare's speech spheres stars story Tamburlaine Thersites things thou thought Timon tion tragedy tragic trans Troilus and Cressida truth Ulysses universal unto views of man's violation vision whole Winter's Tale words writers