Ideas and Styles in the Western Musical Tradition
"Ideas and Styles in the Western Musical Tradition", Third Edition, explores the conceptual frameworks that have shaped musical development from antiquity to the present. In a lively narrative that prompts readers to think both critically and creatively, Douglass Seaton uses historical documents from thinkers, artists, and musicians to add rich detail to the compelling story of Western music. This brief and accessible narrative of music history features numerous works of art, literature, and music that immerse the reader in the historical and intellectual contexts of musical styles.
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MEDIEVAL SECULAR SONG AND INSTRUMENTAL
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aesthetic aria artistic Bach Baroque Baroque music bass basso continuo became Beethoven C.P.E. Bach cadence called cantus firmus chant chorale church Classic composers composition concertato concerto culture dance developed drama early effect eighteenth century emotional empfindsamer Stil English ensemble expression France French genre German Greek harmonic Haydn hexachord history of music ideas important instrumental music isorhythm Italian Italian opera Italy Johann keyboard liturgical madrigal Mass medieval melody ment Middle Ages motet movement Mozart music history musical style musicians naturally Norton notation opera buffa opera seria oratorio orchestra performance period phrase piano pieces pitch pitch classes played players poetry polyphonic produced psalm Renaissance repertoire rhythm rhythmic ritornello Romantic sacred scoring secular singers singing solo sonata form songs sound string structure sung Symphony technique tenor tetrachord texture tion tonal tones tradition University Press violin virtuosic vocal voices Western music writing York