Weaving: A Handbook of the Fiber Arts |
Contents
The Need for Fabric The Inspiration for Fabric Construction | xxix |
The Evolution of Nonloom Processes 12 | xxxvii |
The Ancient Middle East The Classical World | 25 |
Copyright | |
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alum with oxalic ammonia beater bobbin bobbin lace breast beam brocade century chrome cloth beam cloth stick clove hitch color construction copper cord cotton Courtesy the artist craft create cross decorative double weave dowel dye bath edge fabric fibers Figure finished Handweaving harnesses heddle hook horizontal ikat inches inserted knot lease sticks length leno linen loom Fig loop macramé materials mordant Museum novelty yarn number of warp oxalic acid P. O. Box pile pile weaves plain weave produced reed rolag rows sampler selvedge shed shuttle silk sleyed soumak spinning spool spun square tapestry tapestry weaving technique tension textile texture tie-up tin with ammonia tin with oxalic tion treadling twill twining twist vertical wall hanging warp and weft warp beam warp ends warp yarns warping frame weaver weft shots weft yarn width wool woven wrapped yards yellow York