Painting, Language, and Modernity |
Contents
In Advance of the Broken Ar | 19 |
Modernity Underwrites Itself | 43 |
Painting into and out of Meaning | 146 |
Copyright | |
2 other sections not shown
Common terms and phrases
abstraction AD REINHARDT already analysis art practice art's Artforum artistic practice avant-garde BARNETT NEWMAN beginning behalf CALIFORNIA/SANTA CRUZ celebration Cézanne Cézanne's colour commitment concept concrete confronts constituted contemporary context continually conventions creative criticism CRUZ The University cubism culture deconstruction defining deixis Derrida Desire difference discourse display Duchamp engagement erotic exemplifies exploration FRANCESCO CLEMENTE GASTON BACHELARD gesture Heidegger inner necessity INTERPRETER Kandinsky Klee Klee's Large Glass linear MARCEL DUCHAMP mark MARTIN HEIDEGGER Matisse MAURICE MERLEAU-PONTY meaning metaphor metaphorises metonymic MICHAEL CRICHTON modern painting modern tradition modernity's movement nature object op.cit origin painter painting practice painting's perhaps phenomena phonocentric play possibility post-modern post-structuralism precisely presence preserve provides question radical re-presentation re-presents recognise reference repetition respondent seeks semiotics sense signified space specific speech structure style tension theoretical theory things tion transformation University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA words work's writing-in-general