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Books Books 1 - 10 of about 45 related to A Sourcebook on Naturalist Theatre.   

A Sourcebook on Naturalist Theatre

C. D. Innes - Literary Criticism - 2000 - 261 pages
This work aims to provide primary sources which document one of the key movements in modern theatre. It uses three writers to exemplify the movement, and six plays in ...
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Edward Gordon Craig: A Vision of Theatre

C. D. Innes - Performing Arts - 1998 - 340 pages
Edward Gordon Craig's ideas regarding set and lighting have had an enormous impact on the development of the theatre we know today. In this new and updated edition of his well ...
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Edward Gordon Craig: A Vision of Theatre

C. D. Innes - Performing Arts - 1998 - 340 pages
Edward Gordon Craig's ideas regarding set and lighting have had an enormous impact on the development of the theatre we know today. In this new and updated edition of his well ...
Limited preview - About this book

Modernism in European Drama: Ibsen, Strindberg, Pirandello, Beckett : Essays ...

Frederick J. Marker, C. D. Innes - Literary Criticism - 1998 - 293 pages
This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of ...
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Designing Modern America: Broadway to Main Street

C. D. Innes - Design - 2005 - 320 pages
The story of two legendary designers who made “modern America”
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Avant Garde Theatre, 1892-1992

C. D. Innes - Performing Arts - 1993 - 261 pages
Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre ...
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Modern German Drama: A Study in Form

C. D. Innes - Drama - 1979 - 297 pages
Christopher Innes examines the concerns and perceptions of dramatists writing in German between 1945 and 1977 to analyse the theatrical forms they developed or adapted.
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Erwin Piscator's Political Theatre: The Development of Modern German Drama

C. D. Innes - German drama - 1972 - 248 pages
This 1977 text was the first full study of Erwin Piscator, the German theatrical producer who was prominent in the 1920s and worked after 1945 with the writers Hochhuth ...
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