| David W. Galenson - Art - 2009 - 460 pages
Galenson combines social scientific methods with qualitative analysis to produce a new interpretation of modern art. | |
| SEITZ WILLIAM C - Art, American - 1992 - 312 pages
Pins down the many movements of the modern art explosion of the time: color field painting, assemblages, happenings, op and pop art, minimal art, big sculpture, earthworks, the ... | |
| Claude Cernuschi - Architecture - 1992 - 360 pages
"This concise study of Jackson Pollock provides a reliable survey of his life and work and an understanding of his paintings--their origins, meanings, and influence. Unlike ... | |
| Marco Livingstone - Architecture - 1992 - 320 pages
"The emergence of Pop Art in the 1950s laid down a challenge to the earnest evangelists of modern art. Pop was a new democratic art accessible to all in its use of mass-media ... | |
| John Howell - Art - 1991 - 324 pages
The inaugural publication of the Wexner Center for the Arts at Ohio State U. is an abundantly illustrated survey of the activities of avant-garde artists, musicians, performing ... | |
| Carolyn Lanchner - Art - 2011 - 49 pages
Willem de Kooning was a pioneering figure among Abstract Expressionists, one of the most influential champions of the dynamic new painting that brought New York to the center ... | |
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