| Elaine Aston, Janelle Reinelt - Drama - 2000 - 300 pages
This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century. | |
| Peter Raby - Drama - 2001 - 296 pages
The Cambridge Companion to Harold Pinter provides an introduction to one of the world's leading and most controversial writers, whose output in many genres and roles continued ... | |
| William B. Worthen - Drama - 2003 - 282 pages
This book analyses how Shakespeare is recreated in historical performance. | |
| George Rowell, Tony Jackson, Anthony Jackson - Drama - 1984 - 246 pages
This is an account of the origins, development and current state of the repertory theatre movement in Britain. The movement had its roots in ideas, experiments and traditions ... | |
| John Gillies - Literary Criticism - 1994 - 312 pages
In this engaging book, John Gillies explores Shakespeare's geographic imagination, and discovers an intimate relationship between Renaissance geography and theatre, arising ... | |
| Robert Smallwood - Drama - 1998 - 228 pages
This 1998 book is the fourth volume of essays by twelve actors with the Royal Shakespeare Company. | |
| Katherine E. Kelly - Drama - 2001 - 264 pages
Companion to the work of playwright Tom Stoppard who also co-authored screenplay of Shakespeare in Love. | |
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