 O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's...  The dramatic works of William Shakspeare - Page 44by William Shakespeare - 1814Full view - About this book
 | Kathy Elgin - Juvenile Nonfiction - 2005 - 40 pages
...in this way. In the floor of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale ft... | |
 | John Gibson, Wolfgang Huemer - Criticism - 2004 - 372 pages
...struck by the discrepancy between the mere artor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect,... | |
 | Alan Shepard, Stephen David Powell Powell - Literary Criticism - 2004 - 324 pages
...gaze when he has Hamlet, after one of the players recites a speech for him, play the drama critic: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in 's aspect,... | |
 | William Shakespeare - Drama - 2005 - 900 pages
...welcome to Elsinore. 530 ROSENC'Z Good my lord. [they take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant slave...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Tetsuo Kishi - Literary Criticism - 2005 - 167 pages
...about Fukuda's translation5 of Hamlet's second soliloquy (Act II, scene ii), which begins as follows: Now I am alone. O what a rogue and peasant slave am...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
 | Kathy Elgin - England - 2005 - 36 pages
...the actors' skill. Even uneducated people were accustomed to using their imaginations in this way. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale In... | |
 | Kenneth S. Jackson - English drama - 2005 - 324 pages
...follows, Shakespeare calls attention not just to Hamlet's "inaction," but the wonder of "playing": Is it not monstrous that this player here, But in...his own conceit That from her working all his visage waned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Michael Hattaway - Electronic books - 2005 - 272 pages
...player becomes the very figure of the emotion proper to his character, here 'the distracted lover': Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | Karen Newman - Comedy - 2005 - 176 pages
...Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous that this player here, 545 But in a fiction, in a dream of passion, Could force...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting 550 With forms to his conceit? And all... | |
 | E. Beatrice Batson - Drama - 2006 - 198 pages
...description of the abuse of this evocative process. "Is it not monstrous," (551) he soon asks himself, "that this player here," But in a fiction, in a dream...his soul so to his own conceit That from her working [the soul's] all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and... | |
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