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" It was his delight by day, and study by night : and for this his food and rest were often neglected. His compositions, like those of the ancient pictures and basso-relievos, told their story by a single group of figures in the front ; while the background... "
George Romney - Page 370
by Arthur Bensley Chamberlain - 1910 - 418 pages
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A Biographical History of the Fine Arts: Being Memoirs of the Lives and ...

Shearjashub Spooner - Artists - 1865 - 662 pages
...and basso-relievos, told their story by a single .group of figures in the front; while the background is made the simplest possible, rejecting all unnecessary...forcibly struck by the sentiment at the first glance ; of which he traced the gradations and varieties thiough several characters, all conceived in an elevated...
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A Biographical History of the Fine Arts: Being Memoirs of the ..., Volume 2

Shearjashub Spooner - Artists - 1867 - 654 pages
...and basso-relievos, told their story by a single group of figures in the front ; while the background is made the simplest possible, rejecting all unnecessary...forcibly struck by the sentiment at the first glance ; of which he traced the gradations and varieties through several characters, all conceived in an elevated...
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A Biographical History of the Fine Arts: Being Memoirs of the ..., Volume 2

Shearjashub Spooner - Artists - 1873 - 664 pages
...and basso-relievos, told their story by a single group of figures in the front ; while the background is made the simplest possible, rejecting all unnecessary...forcibly struck by the sentiment at the first glance; of which he traced the gradations and varieties thiough several characters, all conceived in an elevated...
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A Biographical History of the Fine Arts: Being Memoirs of the ..., Volume 2

Shearjashub Spooner - Artists - 1873 - 666 pages
...and basso-relievos, told their story by a single group of figures in the front ; while the background is made the simplest possible, rejecting all unnecessary...forcibly struck by the sentiment at the first glance ; of which he traced the gradations and varieties thiough several characters, all conceived in an elevated...
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Manual of the Fine Arts: Critical and Historical

Art - 1875 - 486 pages
...and basso-relievos, told their story by a single group of figures in the front ; while the background is made the simplest possible, rejecting all unnecessary...with a lively expression of nature in all the parts. FUSELI. Henry Fuseli was born in 1741, at Zurich. He made great progress in learning : having overleaped...
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Manual of the Fine Arts, Critical and Historical: With an Introduction by D ...

Miss Ludlow - Art - 1879 - 494 pages
...and basso-relievos, told their story by a single group of figures in the front ; while the background is made the simplest possible, rejecting all unnecessary...all conceived in an elevated spirit of dignity and Sjauty, with a lively expression of nature in all ths parts. FUSELI. Henry Fuseli was born in 1741,...
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Manual of the Fine Arts, Critical and Historical: With an Introduction by D ...

Architecture - 1879 - 512 pages
...and basso-relievos, told their story by a single group of figures in the front ; while the background is made the simplest possible, rejecting all unnecessary...all conceived in an elevated spirit of dignity and Vauty, with a lively expression of nature in all the parts. FUSELI. Henry Fuseli was born in 1741,...
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Descriptive and Historical Catalogue of the Pictures in the National Gallery ...

National Gallery (Great Britain) - Painters - 1889 - 234 pages
...basso-relievos, told their story by a single group of figures in the front ; whilst the background is made the simplest possible, rejecting all unnecessary...and trivial ornament, either of secondary groups or architectnral subdivision. In his compositions the beholder was forcibly struck by the sentiment at...
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