DraculaThe most famous of all vampire stories, Dracula remains a compelling read, rattling along at break-neck speed, a true page-turner. Here is a new edition of one of the great horror stories in English literature, the novel that spawned a myth and a proliferation of vampire tales in film, television, graphic novels, cartoons, and teen fiction, including the current craze revolving around the Twilight and True Blood series. The volume includes a lively and fascinating introduction by Roger Luckhurst that considers the Gothic genre and vampire legend, discusses the vampire tale as sexual allegory, and outlines the social and cultural contexts that feed into the novel, including the New Woman, new technology, race, immigration, and religion. In addition, Luckhurst provides comprehensive explanatory notes that flesh out vampire mythology and historical allusions, plus an appendix featuring Stoker's short story, "Dracula's Guest," an early draft or abandoned chapter that was not published as part of the novel. Also included are a chronology of Bram Stoker's life and a timeline of vampire literature before Dracula. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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A fabulous book. The diary entries and use of first person really gives a clear insight into the mind's and methodology of the characters. The first part of the book being intriguing, exciting and suspenseful. The middle of the book shifts to a slower pace, setting ambiance while also adding to the clues of Dracula's method. The end of the book is a pyschological climax as the characters pyschoanalyse Dracula in order to defeat him. Van Helsing represents Dracula as a primitive form of humans. This aids to the thriller aspect of the story, by therefore suggesting that mankind is capable of this sort of evil and destruction.
Contents
I Jonathan Harkers Journal | 5 |
II Jonathan Harkers Journal | 17 |
III Jonathan Harkers Journal | 28 |
IV Jonathan Harkers Journal | 40 |
V LettersLucy and Mina | 53 |
VI Mina Murrays Journal | 61 |
VII Cutting from The Dailygraph 8 August | 72 |
VIII Mina Murrays Journal | 84 |
XV Dr Sewards Diary | 181 |
XVI Dr Sewards Diary | 193 |
XVII Dr Sewards Diary | 203 |
XVIII Dr Sewards Diary | 216 |
XIX Jonathan Harkers Journal | 230 |
XX Jonathan Harkers Journal | 242 |
XXI Dr Sewards Diary | 255 |
XXII Jonathan Harkers Journal | 268 |
IX Mina Harker to Lucy Westenra | 98 |
X Dr Seward to Hon Arthur Holmwood | 111 |
XI Lucy Westenras Diary | 124 |
XII Dr Sewards Diary | 136 |
XIII Dr Sewards Diary | 152 |
XIV Mina Harkers Journal | 166 |
XXIII Dr Sewards Diary | 280 |
XXIV Dr Sewards Phonograph Diary spoken by Van Helsing | 292 |
XXV Dr Sewards Diary | 305 |
XXVI Dr Sewards Diary | 319 |
XXVII Mina Harkers Journal | 335 |