Songbook: How Lyrics Became Poetry in Medieval Europe

Front Cover
University of Chicago Press, May 17, 2012 - History - 281 pages

Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies.

The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category “poetry”: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.

 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Introduction The Medieval Songbook as Emergent Genre
1
The Carmina Burana and the Libro de buen amor
17
Lyric Presenceand Names
57
Visualizing Lyric Texts
99
Chapter Four Cancioneros and the Art of the Songbook
167
Conclusion Songbook Medievalisms
203
Notes
219
Bibliography
253
Index
269
Copyright

Other editions - View all

Common terms and phrases

About the author (2012)

Marisa Galvez is assistant professor of French at Stanford University.

Bibliographic information