Long Black Song: Essays in Black American Literature and Culture

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University of Virginia Press, 1990 - History - 156 pages
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Houston Baker maintains that black American culture, grounded in a unique historical experience, is distinct from any other, and that it has produced a body of literature that is equally and demonstrably unique in its sources, values, and modes of expression. He argues that black American literature is rooted in black folklore- animal tales, trickster slave tales, religious tales, folk songs, spirituals, and ballads- and that a knowledge of this tradition is essential to the understanding of any individual black author or work. To deomonstrate the continuity of this tradition, Baker examines themes that appear in folklore and persist throughout contemporary black literature. "Freedom and Apocalypse," for example, traces the idea that black Americans are a chosen people who will, by some violent means, overthrow the white man's tyranny.

The essays culminate in an examination of the life and work of Richard Wright. Baker's treatment of Wright as a black American artist who recorded the black man's shift from an agrarian to an urban setting places Wright and the tradition of black literature and culture in a fresh perspective.

 

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Contents

Introduction
xv
Completely Well One View of Black American Culture
5
Black Folklore and the Black American Literary Tradition
22
Freedom and Apocalypse A Thematic Approach to Black Expression
46
Revolution and Reform Walker Douglass and the Road to Freedom
62
Men and Institutions Booker T Washingtons Up from Slavery
88
The Black Man of Culture W E B Du Bois and The Souls of Black Folk
100
From the Improbable Fields Down South One View of Ghetto Language and Culture
113
Racial Wisdom and Richard Wrights Native Son
126
Conclusion
146
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About the author (1990)

Houston A. Baker, Jr. is Professor of English at the University of Virginia. He is the editor of Black Literature in America and Twentieth Century Interpretations of Native Son.

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