Tennyson's Fixations: Psychoanalysis and the Topics of the Early PoetryMatthew Rowlinson has given us the most penetrating analysis of Tennyson's poetry to date. He proposes a revitalized and properly analytic formalism as the appropriate model for a reading of Tennyson. In a series of original, scrupulously attentive, and sophisticated close readings, he probes the nature of place and the structuring of desire in Tennyson's work. Focusing on the poet's most important early writings - fragments and poems produced from 1824 to 1833 - Rowlinson conflates deconstructive theory with psychoanalytic insights. The author begins by observing that the subjectivities articulated in these poems, from the strangely passive poet-seer of the "Armageddon" fragments to the embowered singers of "Mariana", "The Lady of Shalott", and "The Hesperides" to the absconding monarch of "Ulysses", are all constituted in relation to ruined, abandoned, or inaccessible places. The placing of the subject allegorizes its relation to the signifier as well as to the discursive structures within which the signifier comes into being. On this premise, Rowlinson takes up Lacan's claim that it is through the signifier that all human desire is mediated. In the placement of the subjects he reads a distinctively Tennysonian articulation of desire. Following Paul de Man, Rowlinson demonstrates that allegory comes into being only within a structure of repetition. He has developed a formalist poetics that provides a psychoanalytic account of the most basic figural and formal devices - allegory, metaphor, rhyme, and meter - and he offers an explication and critique of major concepts in Lacanian and Freudian psychoanalytic theory, including the gaze, the castration complex, the death drive, and thecompulsion to repeat. By returning to deconstruction, the author has resumed the challenges English studies took up in the seventies and left incomplete in its rush to historicism. His readings offer fresh insights at the level of theory. |
Contents
On Fixation in Tennyson Freud | 1 |
Memory and the Place of the Eye | 24 |
The Place of Voice | 60 |
Metaphor and Displacement | 112 |
Last Words | 144 |
Notes | 171 |
| 185 | |
| 191 | |
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Tennyson's Fixations: Psychoanalysis and the Topics of the Early Poetry Matthew Rowlinson No preview available - 2015 |
Common terms and phrases
allegory already analogy appears argued argument Armageddon Arthur Hallam articulation Aurora's autoeroticism castration complex claim constituted context death Derrida describes desire difference discourse discussion displacement dream echo effect of signature essay event fact fantasy father female genitals figure flowers Freud function gaze grange Hamley Hesperides insistence instance introjection Keats Keats's Kraken Lacan Lady of Shalott Lady's Lancelot landscape language lines literal logic lyric Mariana mark material metaphor metonymy moreover narrative nonetheless novel object Oedipus complex opening origin passage phallus Philomela Pleasure Principle poem represents poem's poet poet's poetic possible psychoanalytic question quoted reading refer relation repeated repetition representation rhyme seems sense shadow signifier Skipping-Rope song space speaks specifically speech spirit stanza structure suggests Symbolic taboo Tennyson's early Tennyson's poem Tennyson's poetry Tennyson's text theory Timbuctoo tion Tithonus topic trope Ulysses voice waking woman word writing