Spirituality as Ideology in Black Women's Film and LiteratureGiven the ways in which spirituality functions in the work of such Black women writers and filmmakers as Toni Morrison, Ntozake Shange, Maya Angelou, Julie Dash, and Euzhan Palcy, Judylyn Ryan proposes in this challenging new study that what these women embrace in their narrative construction and characterization is the role and responsibility of the priestess, bearing and distributing life-force to sustain the community of people who read and view their work. Central to these women's vision of transformation is what Ryan calls a paradigm of growth and an ethos of interconnectedness, which provide interpretive models for examining and teaching a broad range of artistic, cultural, and social texts. The focus on theology provides a new way of viewing the connections among New World African diaspora religious traditions, challenging the widespread and reductive assumption that Afro-Christianity shares no philosophical commonalities with Santeria, Candomble ... |
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Contents
Introduction | 1 |
Interpreting Spirituality | 15 |
Embracing Responsibility Maria Stewart and Toni | 41 |
Bearing LifeForce Zora Neale Hurston Ama | 61 |
Reversing Dispossession Black Womens Cinema | 87 |
5 | 102 |
Charting Futures Grace Nichols Maya Angelou | 146 |
Other editions - View all
Spirituality as Ideology in Black Women's Film and Literature Judylyn S. Ryan No preview available - 2005 |
Common terms and phrases
African African American agency American analysis ancestors Anowa artists aspects authority Baby Baby Suggs Black women challenges characters cinema claim commitment consciousness construction contemporary creative critical cultural Dash Dash's Daughters definition democracy depiction designed diaspora discussion distinct enables enslaved epistemological ethos example experience exploration expression fact film film's filmmakers focus functions future gaze Given goals hand Hollywood holy Home human identifies identity ideological Illusions important Indigo interconnectedness interpretive knowing leadership liberation literary literature lives means memoried Mignon Miriam Morrison mother narrative narrator needs notes novel offers paradigm of growth participation past political position practices present priestess primary provides readings refers relation relationship representation represented resistance responsibility reveals role significant simply slave Slavery social space specific spiritual Stewart strategies structure subjects term theology tion tradition transformation various viewers vision White woman women artists writing