Desi Divas: Political Activism in South Asian American Cultural Performances
How South Asian American women have found expression and power in festival dances and theater Desi Divas: Political Activism in South Asian American Cultural Performances is the product of five years of field research with progressive activists associated with the School for Indian Languages and Cultures (SILC), South Asian Americans Leading Together (SAALT), the feminist dance collective Post Natyam, and the grassroots feminist political organization South Asian Sisters. Christine L. Garlough explores how traditional cultural forms may be critically appropriated by marginalized groups and used as rhetorical tools to promote deliberation and debate, spur understanding and connection, broaden political engagement, and advance particular social identities. To consider how this might happen in diasporic performance contexts, Garlough weaves together two lines of thinking. One grows from feminist theory and draws upon a core literature concerning the ethics of care. The other comes from rhetoric, philosophy, and political science literature on recognition and acknowledgment. This dual approach is used to reflect upon South Asian American women's performances that address pressing social problems related to gender inequality, immigration rights, ethnic stereotyping, hate crimes, and religious violence. Case study chapters address the relatively unknown history of South Asian American rhetorical performances from the early 1800s to the present. Avant-garde feminist performances by the Post Natyam dance collective appropriate women's folk practices and Hindu goddess figures to make rhetorical claims about hate crimes against South Asian Americans after 9/11. In Yoni ki Bat (a South Asian American version of The Vagina Monologues) a progressive performer transforms aspects of the Mahabharata narrative to address issues of sexual violence. Throughout the volume, Garlough argues that these performers rely on calls for acknowledgment that intertwine calls for justice and care. That is, they embed their testimony in traditional cultural forms to invite interest, reflection, and connection. Christine L. Garlough, Middleton, Wisconsin, is assistant professor at the University of Wisconsin, Madison, in the Department of Gender and Women's Studies, the Folklore Program, and the Center for South Asia.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Toward Acknowledgment Care in Diasporic Performances
Performing South Asian American Histories
National Recognition and Community Acknowledgment
A Future in Relation to the Other
Cultural Activism and Sexuality in Feminist Performance
Other editions - View all
activism activist acts of acknowledgment argues Asian American community Asian American women Asiatic Exclusion League attention audience members Bharatanatyam citizenship conﬂict connection contemporary contexts create critical play critiques cultural performances dance dialogue diasporic diasporic performances difﬁcult discourse diverse engage ethic of care ethnic event everyday experience explore feminist Festival of Nations ﬁgures ﬁnd ﬁrst ﬂag focus folklore formance forms Gadar Garlough gender global goddess grassroots groups Gujarat hate crimes Hindu human identity immigration Indian American interested intersectionality issues lives Madison mainstream Moorty movement Muslim narratives offer one’s organizations participants passionate acknowledgment perspective Photo credited political performances Post Natyam potential practices public sphere questions rangoli recognition reﬂect religious response rhetorical Roopa scholars sense sexual violence Sheela Shyamala signiﬁcant SILC social justice South Asian American South Asian community South Asian Sisters space speciﬁc speech theater tion traditional understand United Vagina Monologues Yoni Ki Baat