The Collected Letters of Katherine Mansfield: Volume III: 1919-1920

Katherine Mansfield

Clarendon Press, 1984 - Biography & Autobiography - 324 pages

V. 2. Includes her correspondence from early 1918 to the autumn of 1919. Her love for Middleton Murry, her response to the First World War, and her acceptance of the inevitable advance of tuberculosis, are handled with wit and warmth, in a text which has been transcribed afresh from the original letters. Volume 3: Covers the eight months she spent in Italy and the South of France between the English summers of 1919 and 1920. It was a time of intense personal reassessment and distress. Mansfield's relationship with her husband John Middleton Murry was bitterly tested, and most of the letters in this present volume chart that rich and enduring partner'ship through its severest trial. This was a time, too, when Mansfield came to terms with the closing off of possibilities that her illness entailed. Without flamboyance or fuss, she felt it necessary to discard earlier loyalties and even friendships, as she sought for a spiritual standpoint that might turn her illness to less negative ends. As she put it, 'One must be ... continually giving & receiving, and shedding & renewing, & examining & trying to place'. Volume 4. The letters is this volume cover the eighteen months katherine Mansfield spent in England, France, and Switzerland from May 1920 to the end of 1921. It is the period of her finest stories, and when her life took its most decisive turn. There is a subtle but unmistakable change in her expectations, a new 'spiritual' insistence that is both elusive and resolute. From her Chekovian acceptance that 'they are cutting down the cherry trees' she derives a tough existential directness: 'the little boat enters the dark, fearful gulf...Nobody listens. The shadowy figure rows on. One ought to sit still and uncover one's eyes.' There is a determined push - not always successful - towards a necessary honesty, as much as to artistic achievement; while those qualities of her earlier correspondence remain undiminished - the precision and directness, the intelligence and wit, the dark incisiveness as much as sheer fun. Above all, perhaps, these letters comprise a record of very considerable courage, against increasingly adverse odds, as they approach the final years of her life. The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different - if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived? Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian émigrés and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. 'If I were allowed one simple cry to God,' she wrote in one of her last letters, that cry would be I want to be REAL.' -- Publisher.

About the author

Katherine Mansfield was born Katherine Beauchamp in Wellington, New Zealand on October 14, 1888, the third daughter of a prominent banker. She attended the Wellington College for Girls before entering Queen's College in London in 1903. Her interest in the cello led to lessons at the Royal Academy of Music, where she became secretly engaged to a young prodigy named Arnold Trowell, who already had a successful concert career. Upon being summoned back to New Zealand by her father in 1906, she decided to abandon music in favor of writing. She soon had three stories published in a Melbourne monthly and gained her father's consent to return to England. Once there, she became depressed when she found that Trowell no longer loved her, and she rushed into a hasty marriage to a young musician, only to leave him a few days later. She had a miscarriage, which marked the beginning of her decline in health. After returning to England in 1910, Katherine Beauchamp published her work under the name Katherine Mansfield. A collection of her stories, "In a German Pension," was published in 1911. A year later, she met John Middleton Murry, who eventually became her second husband when she was finally able to secure a divorce. By the time of this marriage in 1918, Mansfield was found to have tuberculosis. Her ill health, combined with the death of her brother in World War I, turned the focus of her work inward and on her homeland. Her memoirs, collected in a book entitled "Bliss," secured her reputation as a writer, and she followed it up with the equally acclaimed "Garden Party and Other Stories." Her lyrical style and stream of consciousness method placed her along side James Joyce and Virginia Woolf for her strength of characterization and her subtlety of detail. Katherine Mansfield died on January 9, 1923 at the Gurdjieff Institute for the Harmonic Development of Man at Fontainebleau. Vincent Gerald O'sullivan was born on September 28, 1937 in New Zealand. He is a poet, short story writer, novelist, editor, and playwright. He was chosen the New Zealand Poet Laureate for the term 2013-2015. He attended Grey Lynn and Sacred Heart College. He graduated from the University of Auckland aand Oxford University. He then went on to lecture at Victoria University of Wellington and the University of Waikato. His poetry titles include Our Burning Time, Bearings, Butcher and Co., and The Pilate Tapes. His short stories include: The Boy, The Bridge, The River; Survivals, and Palms and Minarets: Selected Stories. In 2015 his work, Grahame Syndney Paintings 1974-2014, made The New Zealand Best Seller List.

Bibliographic information

• Title: The Collected Letters of Katherine Mansfield: Volume III: 1919-1920; Oxford Science Publications; Volume 3 of The Collected Letters of Katherine Mansfield, Katherine Mansfield
• Author: Katherine Mansfield
• Editors: Vincent O'Sullivan, Margaret Scott
• Edition: illustrated, reprint
• Publisher: Clarendon Press, 1984
• ISBN: 0198126158, 9780198126157
• Length: 324 pages
• Subjects: Biography & Autobiography / General; Literary Criticism / General