1920 Diary

Front Cover
Yale University Press, Jan 1, 2002 - History - 126 pages
This diary by the famed twentieth-century Russian writer recounts Babel's experiences with the Cossack cavalry during the Polish-Soviet war of 1919-1920. The basis for Red Cavalry, Babel's best-known work, it records the devastation of the war, the extreme cruelty of the Polish and Red armies alike toward the Jewish population in the Ukraine and eastern Poland, and Babel's own conflicted role as both Soviet revolutionary and Jew.

"Babel's 1920 Diary, the source for many of his remarkable Red Cavalry stories, is itself as remarkable as the stories, particularly when one considers that the diarist was a journalist of only twenty-six. The staccato sentences in which Babel rapidly describes the horrific details of revolutionary brutality have the impact of an accomplished style, one that in its spontaneously elliptical way is strangely no less artful than the artfully nuanced directness that is the triumph of Red Cavalry."--Philip Roth

"An electrifying translation accompanied by an indispensable introduction. . . . Babel's journey is a Jewish lamentation . . . a tragic masterwork."
--Cynthia Ozick, The New Republic

"A precursor of Holocaust literature, and more powerful in its effect than any Holocaust literature that I have managed to read."--Harold Bloom, New York Times Book Review
 

Contents

List of Illustrations
vii
the First Cavalry Army
xiv
Notes to the Introduction
lv
Babels Publications
101
Notes to Babels Texts
109
Copyright

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About the author (2002)

Isaac Babel was born in Odessa, Russia, in 1894. He won early success with stories about his native Odessa and about the exploits of the Bolshevik cavalry in the Polish campaign of 1920-21. During the 1930s his output was small, but his talent remained undiminished. He was arrested in May 1939 during the Great Purge, and his manuscripts were confiscated. His exact fate remains unknown. Although Babel's reputation was restored in 1956, he was still published only occasionally in the Soviet Union-the very strong Jewish element in his stories, as well as the ambiguous positions he took on war and revolution, made his stories uncomfortable for Soviet authorities. For a Russian reader, the Odessa Tales (1916) are particularly exotic. Their protagonists, members of the city's Jewish underworld, are presented in romantic, epic terms. The Red Cavalry stories are noted for their account of the horrors of war. In both cycles Babel relies on precisely constructed short plots, on paradox of situation and of character response, and on nonstandard, captivating language-be it the combination of Yiddish, slang, and standard Russian in the Odessa Tales or of uneducated Cossack speech and standard Russian in the Red Cavalry cycle. The result of such features is a prose heritage rare in the history of Russian literature. Isaac Babel passed away in 1941.

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