Exhibition, the Film Reader

Front Cover
Ina Rae Hark
Psychology Press, 2002 - History - 192 pages
"From the kinetoscope to the Movie Palaces of Hollywood's golden age, to today's multiplexes, the experience of watching films has varied enormously across film history. Exhibition, The Film Reader traces the emergence of a culture of movie going, exploring the range of venues in which films have been shown, and following the fluctuating fortunes of film and its continuing struggle to win audiences. Contributors explore the meanings conveyed to spectators through different exhibition sites and practices, raises key questions of distribution, access and consumption, and examines the shifting ethnic, gender and economic make-up of audiences."--BOOK JACKET.
 

Contents

Public Rituals and Private Space
14
WHERE THE MOVIES WERE
17
Black Moviegoing from 1907 to 1916
31
Kathryn Helgesen Fuller At the Picture Show
41
Charlotte Herzog The Movie Palace and the Theatrical Sources of
51
THE BUSINESS OF EXHIBITION
89
Suzanne I Schiller The Relationship Between Motion Picture Distribution
107
Anthony Downs Where the Drivein Fits into the Movie Industry
123
THE MEANINGS OF THE EXHIBITION SITE
137
Ina Rae Hark The Theater Man and The Girl in the Box Office
143
the Modern American Motion Picture Theater
155
Select Bibliography
183
Copyright

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About the author (2002)

Ina Rae Hark is Professor of English and Associate Dean of the College of Liberal Arts at the University of South Carolina. She is co-editor with Steven Cohan of The Road Movie Book (Routledge 1997) and Screening the Male (Routldge 1993).