On Music and MusiciansReviews of specific compositions are accompanied by Schumann's articles and epigrams on all aspects of music |
Contents
INTRODUCTION BY THE EDITOR | 23 |
APHORISMS | 30 |
ARTICLES | 52 |
SURVEYS | 61 |
OBSERVATIONS | 70 |
BEETHOVEN | 95 |
WEBER | 106 |
CHOPIN | 126 |
8888 | 161 |
BERLIOZ | 164 |
MENDELSSOHN | 193 |
MENDELSSOHN AS CONDUCTOR AND PERFORMER | 218 |
ROSSINI | 234 |
KARL CZERNY | 247 |
70 | 263 |
269 | |
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Common terms and phrases
adagio allegro appears artist B-flat Bach Bach's beautiful Beethoven beginning Berlioz Caprices character charming Chopin choral chords close composer compositions concert dance Davidites E-flat major effect entire Erler études Eusebius everything expression eyes F major feel Fidelio finally Florestan Franz Schubert fugue G minor genius German give hand harmony hear heard idea imagination impromptu instrument Jean Paul last movement Leipzig Les Huguenots Letter Lieder listen Liszt master mazurkas melody Mendelssohn ment Meyerbeer Mozart musician never once opera opus orchestra original overture Paganini passages performance perhaps piano pianoforte piece played poem poet poetic praise quartet Raro remark Robert Franz Robert Schumann scarcely scherzo Schu Schumann score seems sonata speak spirit style symphony talent theme things thought tion tone trio variations Vienna violin virtuoso voice waltz whole write written wrote young youth Zilia