Ornamentation in Baroque and Post-baroque Music: With Special Emphasis on J.S. Bach

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Princeton University Press, Dec 21, 1983 - Music - 630 pages

Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period.

The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.

 

Contents

V
11
VII
3
VIII
5
IX
3
X
5
XI
7
XII
5
XIII
11
XLIX
11
LI
7
LIII
6
LV
19
LVI
13
LVIII
7
LIX
45
LX
12

XV
XVI
3
XVII
5
XVIII
7
XX
10
XXI
6
XXII
15
XXIV
20
XXVI
4
XXVII
9
XXIX
5
XXX
XXXI
4
XXXII
8
XXXIII
5
XXXIV
7
XXXV
9
XXXVII
3
XXXIX
1
XLI
15
XLIII
18
XLIV
XLV
XLVI
2
XLVII
7
XLVIII
6
LXIII
7
LXV
LXVIII
9
LXIX
14
LXXI
7
LXXV
22
LXXVII
17
LXXIX
26
LXXXI
30
LXXXIII
7
LXXXIV
9
LXXXV
LXXXVII
LXXXIX
XCI
15
XCII
3
XCIII
5
XCIV
2
XCVII
8
XCIX
7
C
CI
3
CIII
7
CIV
10
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Page 11 - I am indebted to the staffs of: the Music Division of the Library of Congress; the Music Division of the New York Public Library; the British Museum; the Bibliotheque Nationale, Departement de la Musique (in particular to M.

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