Imagining Medea: Rhodessa Jones & Theater for Incarcerated Women

Front Cover
UNC Press Books, 2001 - Performing Arts - 245 pages
This ain't no Dreamgirls," Rhodessa Jones warns participants in the Medea Project, the theater program for incarcerated women that she founded and directs. Her expectations are grounded in reality, tempered, for example, by the fact that women are the fastest growing population in U.S. prisons. Still, Jones believes that by engaging incarcerated women in the process of developing and staging dramatic works based on their own stories, she can push them toward tapping into their own creativity, confronting the problems that landed them in prison, and taking control of their lives.



Rena Fraden chronicles the collaborative process of transforming incarcerated women's stories into productions that incorporate Greek mythology, hip-hop music, dance, and autobiography. She captures a diverse array of voices, including those of Jones and other artists, the sheriff and prison guards, and, most vividly, the women themselves. Through compelling narrative and thoughtful commentary, Fraden investigates the Medea Project's blend of art and activism and considers its limits and possibilities for enacting social change.



Rhodessa Jones is co-artistic director of the San Francisco-based performance company Cultural Odyssey and founder of the Medea Project: Theater for Incarcerated Women. An award-winning performer, she has taught at the Yale School of Drama and the New College of California.

 

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Contents

Introduction
1
Up from Below
3
Making the Medea Project
27
Rehearsing Techniques
67
Women Are Waiting
89
Kicking Dance
96
Ho Stroll
114
Surveying Lives
120
Imagining Other Spaces
179
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About the author (2001)

Rena Fraden is professor of English at Pomona College in Claremont, California. She is author of Blueprints for a Black Federal Theater, 1935-1939.

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