The Image Factory: Fads and Fashions in Japan

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Reaktion Books, 2003 - History - 176 pages
Just as a person contrives a style, the purpose of which is integration and the effect of which is presentation, so a nation collectively projects an appearance, a "national" style. Such styles are made of many layers. The deepest layer is composed of the immutable and the traditional. Nearer the surface floats fashion, changeable but sometimes more abiding. And frothing on the surface is fad.
By definition a fad is novel and appears from outside. Fads must have instant appeal and do not have a long shelf life. In Japan, an assortment of islands, the outside is often the quality that defines the inside.
Japan has a history of chasing fads and fashion. Since the 19th century, foreign products have been welcomed in, from the cult for "squeaky shoes" in the mid-19th century to the current fad for virtual reality girlfriends. Japan s mandate was that, having been opened late, it had to hurry to catch up. Fads provide both a social distraction and a sense of cohesion, indicating not only foreign importation but also native adaptation.
The Image Factory is both an investigation into fads, fashions and style such as US Army surplus uniforms, "pachinko," mutating hair colors and an appreciation of their inherent meanings. The Japanese have seized upon fads and fashion as an arm of enterprise to a much greater extent than elsewhere in the world. Ephemerality has been put to work, the transient has become industrialized, and the results are highly conspicuous."
 

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Contents

Foreword
7
The Image Industry
17
Fashions Tongues
32
Kawaii Kingdom of the Cute
53
The Sex Bazaar
63
Leisure Options
83
Manga Culture
101
Pachinko
110
The Convenience Phone
125
Kosupure
137
Fake Foreigners
151
Afterword
167
Sources
173
Copyright

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About the author (2003)

Donald Richie was born, in Lima, Ohio on April 17, 1924. During World War II, he served in the U.S. Maritime Service as a civilian typist. He explored Tokyo on foot and began to attend the movies, which he wrote about for Stars and Stripes and later for the Japan Times. He received a bachelor's degree in English from Columbia University in 1953 and then returned to Japan. In the late 1960s and early 1970s, he was a film curator at New York's Museum of Modern Art, but by 1973 he returned to live permanently in Japan. He wrote more than 50 books about all aspects of Japan including film, food, social customs, fables, gardens, temples, folk art, music, pop culture, tattoos and sexual mores. His works include The Inland Sea, Memoirs of the Warrior Kumagai, The Films of Akira Kurosawa, and Zen Inklings. He died on February 19, 2013 at the age of 88.

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