Present Pasts: Patrick Modiano's (auto)biographical Fictions

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Rodopi, 2005 - Literary Criticism - 356 pages
This is the first in-depth study of the twelve Modiano texts specifically concerned with life-writing in autobiographical and biographical-cum-historiographical projects. The texts covered range from La Place de l' toile(1968) through to La Petite Bijou (2001). Close textual analysis is combined with a theoretical approach based on current thinking in autobiography, biography, and reader-response. Modiano's use of autofiction and biofiction is analysed in the light of his continuing obsession with both personal trauma and History, as well as his problematic relationship with his paternally-inherited Jewish links. His view of identity (of self and other) is thus discussed in relation to a particular literary and socio-historical context- French, postmodern, post-World War II, and post-Holocaust.
 

Contents

Introduction
11
Four Types of Modiano Reader
25
The Modiano Narrator a Brief Introduction
42
Shadows of the Mind
57
The Origin of the Term and the Debate around It
77
The Autofictions
91
Livret de famille and the MultipleText Reader
108
de naufrage
111
Hints and Secrets
184
ReImagining History
195
Biofictions
210
Briefness Mystery and Biographèmes
223
Recording the Past with an Ethos of Ambiguity
237
Commemoration with Minimal Betrayal
254
Fusion and Distance Biography in Voyage
269
Biographical Truth
282

Fragments of Selfhood
126
Mystery Imagination and the Development of a Writer
140
SelfNarration as Theme
155
Imagining Memories
170
Scene and Character
295
Belief and Suspicion
308
Index
345
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About the author (2005)

Dervila Cooke is an IRCHSS Research Fellow at Trinity College Dublin. She has lectured in French literature and culture at University College Dublin and at the National University of Ireland, Maynooth. She received B.A., M.A., and Ph.D degrees from University College Dublin, and completed part of her doctoral studies at the Ecole Normale Superieure, rue d Ulm."