Monsters and Monstrosity in Media: Reflections on VulnerabilityAs monstrous bodies on-screen signal a wide range of subversive destabilization of the notions of identity and community, this anthology asks what meanings monsters and monstrosity convey in relation to our recent circumstances shaped by neoliberalism and the pandemic that have led to the intensified tightening of border controls by nation-states, the intensive categorization of (un)identifiable bodies, and subsequent forms of isolations and detachments imposed by social distancing and the rapid transition of sociality from reality to virtual reality. Presenting various thinkings along the lines of the body and its representations as cultural text, together with popular or recent media productions showing various bodies deemed to be monstrous as they either cross conventionally held borders or stay in liminal spaces such as between human-animal, human-machine, virtual bodies-corporeal flesh, living-death, and other permeable borders, this volume looks into the on-screen constructions of the monster and monstrosity not only as they represent notions of difference, perceived (non)belongings, and disruptions of traditional identity markers, but also as they either conceal various vulnerabilities or implicitly endorse violence towards the labeled Other. |
Contents
The Enemy as Monster the Monster | 1 |
Starzs Black Sails | 23 |
Reframing | 39 |
Trekking through | 55 |
Monstrous Gatekeepers Ecogothic Bodies | 75 |
Examining the Camera | 91 |
Ladies of the Night What Pop Music They | 119 |
Watch Out Boys Shell Chew You | 137 |
Queering the Cyborg as | 155 |
Goth | 173 |
List of Contributors | 191 |
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Amber Heard Amelia anthropocentric anticommunist anxieties argues art form artists audience become BioSyn Black Sails Boulet Brothers camera captain chapter characters cinema cisgender created creatures crew cultural cyborg depicted dinosaurs Dorothy Dragula eco-gothic ecological embodiment empathy explore fear female fiction filmic final girl Flint Frankenstein gaze gender goth Gothic hero heteronormative horror drag horror films horror genre human hybrid Jennifer Jennifer's Jennifer’s Body Jurassic Park Jurassic Park film Jurassic World kill killer Korean War Kwon Kwon's Last modified look male meaning merchant ship metaphor Mia’s Mister Babadook Mongsil monster studies monstrous adolescent narrative nature non-human North nuclear family Obra Dinn perspective piracy pirates player portrayed protagonists queer race to innocence racialized relationship representation rhetorical transformation role Samuel scene sexual shot slasher films social South Korean spectator story symbolic trans transgender vampires victim video games violence visual vulnerability White Zombie woman women filmmakers zombie form


