National Theatres in a Changing EuropeS. Wilmer Examining the ways in which national theatres have formed and evolved over time, this new collection highlights the difficulties these institutions encounter today, in an environment where nationalism and national identity are increasingly contested by global, transnational and local agendas, and where economic forces create conflicting demands. |
Contents
1 | |
BACKGROUND AND OVERVIEW | 8 |
FORMATION FUNCTION LANGUAGE ISSUES AND IDEOLOGICAL CONTROL | 61 |
NEW FUNCTIONS AND STRUCTURES IN A CHANGING EUROPE | 151 |
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Abbey Abbey Theatre actors aesthetic Alexandrinsky Theatre Art Theatre artistic atre audience Balkans became become Belgian Berlin Bjørnson bourgeois building capital central centre classical Comédie-Française contemporary create critics decentralization democratic developed director drama dramaturgy Eimuntas Nekrošius emerged ensemble established Europe fascist Finland France French German theatre global Ibsen idea ideological Imperial Theatres Irish Italian Jonas Vaitkus Lady Gregory language legitimation Lithuanian Loren Kruger Maly Theatre modern Moscow Moscow Art Theatre nation-state national culture national identity National Theatre nationalist Nationaltheatret nineteenth century Norway Norwegian Nynorsk official op.cit opera organization performance plays playwrights political productions programme regional theatres repertoire repertory represent Riksteatern role Royal Royal National Theatre Russian theatre Schiller Senelick Slovenia social Soviet Stanislavsky status subsidy Swedish Theatre synecdochic Teatro theatre companies Théâtre National theatre's theatrical nationhood tion touring tradition translation twentieth century University Press Wilmer Yeats