Feminism and Tradition in AestheticsPeggy Zeglin Brand, Carolyn Korsmeyer |
Contents
Gendered Concepts and Humes Standard of Taste | 49 |
Toward a Feminist Perspective | 66 |
Aesthetics Morality and | 88 |
Select Bibliography to Part I | 115 |
Subjective Differences and | 117 |
Black Female Spectators | 142 |
A History of Music | 160 |
Select Bibliography to Part II | 186 |
Has Heroines Time Now Come? | 279 |
Feminist Art History and De Facto Significance | 305 |
Ancient and Modern Myths | 354 |
A Defense of a Paradigm | 371 |
Select Bibliography to Part IV | 392 |
NeitherNor? | 399 |
Reconciling Analytic and Feminist Philosophy and Aesthetics | 416 |
Why Feminism Doesnt Need an Aesthetic And Why It Cant | 431 |
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Common terms and phrases
Adrian Piper aesthetic value analytic aesthetics analytic philosophy argued art history Artemisia's artworks beauty behavior black female black women canon castration anxiety Cecilia Gallerani cinema claim concepts contemporary context critical critique Critique of Judgment culture discourse discussion dominant essay example experience facto significance feminine feminism feminist aesthetics feminist art feminist theory film theory gender Goddess Hollywood film human Hume Ibid idea images of women Indiana University Press interpretation issue judgments Kant Kant's Kuspit's language Leonardo Leonardo da Vinci Linda Nochlin literary looking male gaze Margolis masculine means Minh-ha moral mother Mulvey Mulvey's Nancy Spero narrative nature notion object painting paradigm scenarios patriarchal perspective philosophy political portrait position practice psychoanalysis question relation representation role sense sexual social spectator spectatorship sublime Tannhäuser texts theoretical theorists tion traditional trans viewer visual pleasure woman women artists women in film writing York