Seeing Straight: The F.64 Revolution in PhotographySeeing straight is the first extensive examination of f.64's contribution to photography - a pure, unencumbered technique that emphasized seeing rather than fancy printing--Inside cover. |
Contents
PERSPECTIVE ON SEEING STRAIGHT | 19 |
f 64 AND MODERNISM | 34 |
CHECKLIST OF THE 1932 GROUP 64 SHOW | 67 |
Copyright | |
2 other sections not shown
Common terms and phrases
1932 Collection 683 Brockhurst Adams's aesthetic Alfred Stieglitz Alma Lavenson Anne Brigman Ansel Adams Ansel Easton Adams artist Bay Area Brett Weston California Camera Craft Carmel Center for Creative Consuelo Kanaga Courtesy Creative Photography Daybooks Dorothea Lange Dyke's Edward Weston Edward Weston $15 emotional expression film Gallery glossy papers Group f 64 Group f.64 exhibition Henry Swift Henry Swift $10 Henry Swift Collection images Imogen Cunningham Trust John Paul Edwards lens letters M. H. de Young Mary Jeannette Edwards medium members of Group Modern Art modernist Museum of Modern Oakland Museum objective Paul Edwards $10 Paul Strand Peter Stackpole phers photogra pictorial pictorialist Point Lobos portrait Preston Holder prints pure photography purist raphy Salon San Francisco Museum Sierra Solo exhibition Sonya Noskowiak straight photography studio style technical technique THERESE THAU HEYMAN tion Tucson PLATE University of Arizona Willard Van Dyke York Yosemite Young Memorial Museum
References to this book
Disappearing Witness: Change in Twentieth-Century American Photography Gretchen Garner Limited preview - 2003 |