Steinway and Sons

Front Cover
Yale University Press, Sep 23, 1997 - Music - 384 pages
The Steinway—once called the "instrument of the immortals"—is more than the preeminent American piano. It is also a symbol of Old World craftsmanship combined with American capitalism, of technological innovation, and of remarkable family management. This authoritative and entertaining book tells the story of the Steinway piano company and the people behind it.

The first book based on the rich archive of Steinway business and family papers at LaGuardia Community College in New York, as well as on interviews with family members and company employees in the United States, Germany, and England, Steinway & Sons describes the making and marketing of an American cultural icon. Founded in New York in 1853 by a German immigrant, the Steinway company quickly rose to prominence on the strength of the distinctive "Steinway sound." For five generations Steinways steered their company in the face of vigorous domestic and foreign competition, bitter labor disputes, temperamental musicians, a fluctuating economy, and wars. Members of the Gilded Age elite, the family also contended with adultery, alcoholism, emotional depression, and long court battles over money. Lieberman discusses the company town the Steinways built in Queens in the 1870s to "escape the machinations of the anarchists and socialists" in the city; the decision to manufacture in both New York and Hamburg, which led to Steinway factories supplying both sides in World War II; the improvements in piano technology that made the Steinway the envy of other piano makers; the company's creative marketing techniques, such as booking celebrated European pianists into American concert halls; the competition from the Japanese-owned Yamaha company; and the sale of the financially troubled company to CBS in 1972. Weaving together themes from social, music, business, labor, and immigrant history, and lavishly illustrated with pictures from the Steinway archive, Steinway & Sons is a rich narrative that casts new light on American cultural history and on a unique family enterprise.
 

Contents

Introduction
1
ONE The Americanization of Steinweg
7
TWO Inventing and Marketing the Modern Piano
25
THREE Riots Strikes and Domestic Tragedies
34
FOUR Stein way Becomes a Household Word
47
FIVE Steinway Sons in Americas Centennial Year
60
SIX Escaping the Anarchists and Socialists
73
SEVEN The Piano Workers Strike Back
87
THIRTEEN A Reluctant Leader
173
FOURTEEN New Blood and Fresh Strategies
197
FIFTEEN The Rise of a Factory Union
208
SIXTEEN Divided Loyalties in World War II
218
SEVENTEEN Stein way Celebrates Its Centennial
241
EIGHTEEN A Businessman Takes Over
249
NINETEEN A Fine Way to Treat a Steinway
272
TWENTY Steinway versus Yamaha
286

EIGHT Family Feud
99
Superstar and Super Salesman
108
TEN From Near Bankruptcy to Fabulous Wealth
118
ELEVEN The Instrument of the Immortals Goes National
133
TWELVE A Marriage of Music and Commerce
153
The CBS Sale and Its Aftermath
301
Notes
311
Index
366
Copyright

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About the author (1997)

Richard K. Lieberman is professor of history at LaGuardia Community College of the City University of New York and director of the LaGuardia and Wagner Archives, which house the Steinway collection.

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