Passionate Amateurs: Theatre, Communism, and Love
Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin’s “Program for a Proletarian Children’s Theatre,” the first major consideration of Godard’s La chinoise as a “theatrical” work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene.
Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
action actors ANNE anti-capitalism Arendt articulated artistic Astrov Athens audience become Benjamin’s Program Boltanski bourgeois Cambridge capitalist chapter Chekhov Chiapello chinoise Chris claim communist conception constitutes contemporary conversation critical critique cultural Dice director Dziga Vertov Group experience feelings film Fordist future historical human Ibid idea ideology immaterial labor industrial capitalism intellectual Jacques Rancière Jean-Luc Godard Jean-Luc Nancy kind La chinoise Lacis Lacis’s leisure logic London Marx Marx’s Michael Löwy Nancy Nanterre Narkompros Nature Theatre neoliberalism one’s Paolo Virno participation passionate amateur performance perhaps play political possibility post-Fordism potential Poverty of Student practice precisely present production professional Proletarian Children’s Theater radical Raffaello Sanzio Rancière’s revolution revolutionary romantic anti-capitalism Romanticism seems sense social relations society Sonya Soviet spectator speech stage suggests Theatre of Oklahoma theatrical tion trans Uncle Vanya University Press Véronique Virno Walter Benjamin workers writes ZACK zemstvo