Foundations of Modern Art |
Contents
PREFACE 1952 | 1 |
Scholten page 168 | 51 |
Pierre Galleries pages 29 131 | 131 |
Copyright | |
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Common terms and phrases
æsthetic Albert Gleizes Apollinaire architects architecture artists attitude beauty become believe Braque CALIFORNIA century Cézanne charm conception Corbusier Corot create Cubism curve Dadaism decorative Delacroix DIEGO UNIVERSITY effort El Greco emotion epoch ERSITY eternal everything evoke existence expression eyes fact feeling Fernand Léger form and colour geometry Georges Braque Gleizes harmony Henri Poincaré human form ideas imitate impulse influence inspired intellect invented Jean Cocteau Jeanneret Juan Gris L'Esprit Nouveau laws Le Corbusier Léger LIBRARY living look lyricism machine Magdalenian Marcel Duchamp masterpieces matter means mechanism Michael Angelo modern movement nature needs never nowadays object ourselves Ozenfant painters painting Paris perfect Phidias Picasso Pierre Jeanneret poet poetry possible Poussin preforms prose Purism realised reality reason Renan result reveals Rimbaud Robert Delaunay SAN DIEGO sculpture sensation senses Seurat sort spirit Stendhal structure technic things thought tion tropisms UNIV