The Philosophy of Literary Form

Front Cover
University of California Press, Aug 27, 1974 - Literary Criticism - 463 pages
From the ForewordThese pieces are selections from work done in the Thirties, a decade so changeable that I at first thought of assembling them under the title, "While Everything Flows."  Their primary interest is in speculation on the nature of linguistic, or symbolic, or literary action--and in a search for more precise ways of locating or defining such action. Words are aspects of a much wider communicative context, most of which is not verbal at all. Yet words also have a nature peculiarly their own. And when discussing them as modes of action, we must consider both this nature as words in themselves and the nature they get from the non-verbal scenes that support their acts. I shall be happy if the reader can say of this book that, while always considering words as acts upon a scene, it avoids the excess of environmentalist schools which are usually so eager to trace the relationships between act and scene that they neglect to trace the structure of the act itself. 
 

Contents

I
xxvii
II
136
III
166
IV
189
V
219
VI
232
VII
256
IX
291
XI
312
XII
321
XIII
327
XIV
342
XV
348
XVII
359
XVIII
367
Copyright

X
303

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About the author (1974)

Kenneth Burke has been termed "simply the finest literary critic in the world, and perhaps the finest since Coleridge" (Stanley Edgar Hyman, The New Leader). Mr. Burke has published ten other works with the University of California Press: Towards a Better Life (1966); Language as Symbolic Action: Essays on Life, Literature, and Method (1966) Collected Poems, 1915-1967 (1968); The Complete White Oxen: Collected Short Fiction of Kenneth Burke (1968); A Grammar of Motives (1969); Permanence and Change: An Anatomy of Purpose (1984); The Philosophy of Literary Form (1974); A Rhetoric of Motives (1969); The Rhetoric of Religion: Studies in Logology (1970); and Attitudes Toward History, Third Edition (1984).

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