The Hydrogen Jukebox: Selected Writings of Peter Schjeldahl, 1978-1990

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University of California Press, Mar 29, 1993 - Art - 358 pages
Baudelaire's famous description of "the best criticism" as "entertaining and poetic, not coldly analytic," lives in the essays of Peter Schjeldahl. Schjeldahl self-consciously continues the modern tradition of art criticism crafted by poet-critics, providing a sharp perspective on individual artists, their work, art-world events, and new creative directions. He challenges established views, and his infectious passion for art continually engages the reader. In essays on Rothko, Munch, Warhol, Dubuffet, Nauman, Sherman, Salle, de Kooning, Guston, Ruscha, and Koons, Schjeldahl skillfully juggles theory and analysis in exploring cultural context and technique. His writings, free of the contortions of some critical prose and characterized by a sustained focus on works of art, map the contemporary art scene in New York (with occasional forays to Los Angeles and elsewhere), cataloguing the colorful personalities, cultural attractions, and ethical hazards of the art world. It's a fast, fun trip, with arguments that fold back upon themselves in surprising revelations and reversals of the author's opinion. There is never a dull moment for those with an eye on contemporary art. 
 

Contents

Terror Narcissism and Art I
1
The Missing Master
19
Missed Punk
37
Dubuffet 1980
53
Exxon Exhibition at the Guggenheim
69
Affairs of the Heat
91
Bruce Nauman
105
Why New French Art Is Lousy
121
Edouard Manet
189
In Defense of Artistic Fashion
202
Philip Guston
227
To Pico
248
The Immigrant Strain
262
Our Kiefer
283
Mike Kelley
300
De Kooning Alone
315

Willem de Kooning
131
Howard Finster
146
The Grant Wood Revival
161

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