Masking Selves, Making Subjects: Japanese American Women, Identity, and the BodyThis sophisticated and comprehensive study is the first to situate Japanese American women's writing within theoretical contexts that provide a means of articulating the complex relationships between language and the body, gender and agency, nationalism and identity. Through an examination of post-World War II autobiographical writings, fiction, and poetry, Traise Yamamoto argues that these writers have employed the trope of masking—textually and psychologically—as a strategy to create an alternative discursive practice and to protect the self as subject. Yamamoto's range is broad, and her interdisciplinary approach yields richly textured, in-depth readings of a number of genres, including film and travel narrative. Looking at how the West has sexualized, infantilized, and feminized Japanese culture for over a century, she examines contemporary Japanese American women's struggle with this orientalist fantasy. Analyzing the various constraints and possibilities that these writers negotiate in order to articulate their differences, she shows how masking serves as a self-affirming discourse that dynamically interacts with mainstream culture's racial and sexual projections. |
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Other editions - View all
Masking Selves, Making Subjects: Japanese American Women , Identity, and the ... Traise Yamamoto No preview available - 1999 |
Common terms and phrases
absence agency articulation Asian American women autobiography becomes body camp conflation constructed context crucial daugh defined desire difference discourse discussion dominant culture emotional erasure ethnic eyes father feel female subjectivity Feminism feminist film fragmentation geisha gender girl Gruver Hahn Hahn's haiku Hana-ogi Hosoume Houston identified identity ideological implies internment Issei Iyer Iyer's Janice Mirikitani Japa Japan Japanese American women Japanese culture Japanese face Japanese woman Jeanne Wakatsuki Houston Kimiko Hahn Kondo Kuchuk Kuchuk Hanem language male Marpo mask maternal metaphor Minatoya Mirikitani Mitsuye Yamada mother and daughter Naomi narrative Nikkei Nisei novel Obasan Olivia Oriental passage poem poetic problematic raced subject racism relation relationship representation represented resistance rhetoric role Sachiko sense sexual Shirley Geok-lin Lim signifies silence social Sone Sone's speak stereotype story suggests tion tradition translation trope Uchida Western white American writes Yamada Yoneko's York Yoshiko Uchida



