Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner by Patricia Norvell"Reading the interviews gathered by Patricia Norvell more than thirty years ago is like opening one of the time capsules Steven Kaltenbach made at around the same time and discusses here. It makes one feel nostalgic for these uncompromising times-so much has changed, so fast! One should be immensely grateful to Norvell for her undertaking and, paradoxically, for the long delay in the publication of these conversations: nothing could have better highlighted the candor and commitment of the artists who participated in this project than their willingness, long after the fact, to let their youthful voices be heard unedited. This is a precious document that casts a fresh light on the early history of Conceptual art, revealing all the doubts and uncertainties its practitioners had to overcome."—Yve-Alain Bois, Harvard University "These interviews, full of the rich texture and confusion of an art movement at its inception, began as a "process piece" in mid-1969 when formalism still seemed worth defeating. The artists, tired of talking about turpentine, struggle to extend the rhetoric of form, and as they do so, reveal their roles as theorists and philosophers of a newly cerebral art, Conceptualism. Alberro's helpful introduction frames both Norvell's provocative questions and the surprising responses in a useful book that continues the process of historicizing 20th century art."—Caroline Jones, author of Machine in the Studio "The contemporary interviews collected in this volume shift the ground on which conceptualism in the United States should be understood. The middle months of 1969 were a time of artistic and social unease when artists were anxious to test-and occasionally to declaim, as the interviews demonstrate-ideas in conversation with a sympathetic interlocutor. Patricia Norvell proves to have been an ideal listener. She knew conceptualism well enough to keep the conversations honest, but not so well as to make the artists defensive and wary. The artists had things to say, and were not afraid to put themselves out on a limb."—John O'Brian, Professor of Art History, University of British Columbia "A key document of the late 1960s avant-garde."—James Meyer, Emory University "[This book is] a reminder that the project of Conceptual art and its artists' reasons for refusing the object of art were far from monolithic. The differences that emerge in the interviews are spoken in voices that are still fresh and particular, but each voice and position is tied to the moment of the late 1960s, from stoned mysticism to philosophical idealism, from political optimism to materialist critique."—Howard Singerman, author of Art Subjects |
Other editions - View all
Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach ... Patsy Norvell No preview available - 2001 |
Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach ... Patricia Norvell No preview available - 1996 |
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abstraction aesthetic anyway art’s Artforum artists aspect becomes Bruce Nauman can’t Carl Andre Carrier Wave catalogue choices color Conceptual art concerned deal dealer decisions Dennis Oppenheim documentation Douglas Huebler drawings Eleven Interviews exhibition exist fact feel function gallery going guess happened I’ve idea important instance interested involved Joseph Kosuth kind of thing language Laughs Lawrence Weiner limits located look Lucy Lippard material matter mean Modern Art Museum of Modern never nonsites Norvell’s painting PATRICIA NORVELL Pause people’s Photo courtesy photographs physical piece possible presentation pretty problem question record Robert Barry Robert Smithson sculpture seems sense Seth Siegelaub Silence Sol LeWitt someone sort space Stephen Kaltenbach talking there’s they’re tion trying visual wall what’s whole words Xerox Book Yeah York