Frontier Figures: American Music and the Mythology of the American West

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Univ of California Press, Apr 18, 2012 - Biography & Autobiography - 449 pages
"Beth Levy has written an elegant work of depth and breadth that gives generous space to the idea of the American West. Her discussions of more than a dozen composers and their works—some usual suspects, others rather unexpected—reveal the 'varied musical ecosystems of the west.' Levy takes us with her on the trail in prose that is by turns pithy and poetic, but always spot on."—Denise Von Glahn, author of The Sounds of Place: Music and the American Cultural Landscape

“Big and bold as the terrain it covers, Beth Levy’s Frontier Figures takes us on a gratifying road trip, traversing American ‘classical’ compositions that conjure up landscapes from the Middle West to the shores of the Pacific. En route, we encounter many now-famous composers, such as Aaron Copland, Roy Harris, and Virgil Thomson, along with others who have faded from view. Throughout, Levy treats the ‘West’ as both geographic location and mythologized ideal, demonstrating its power on the American musical imagination.”—Carol Oja, author of Making Music Modern: New York in the 1920s.
 

Contents

Part One Arthur Farwells West
21
Part Three American Pastorals
153
Provincial Cowboy White Hope
225
The Composer as Folk Singer
268
From Orient to Occident
291
Communal Song Cosmopolitan Song
317
Copland and the Cinematic West
351
On the Trail
369
Selected Bibliography
421
Index
437
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About the author (2012)

Beth E. Levy is Associate Professor of Music at the University of California, Davis.