At the Jazz Band Ball: Sixty Years on the Jazz Scene

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Univ of California Press, 2010 - Music - 272 pages
“Nat Hentoff may very well be the foremost jazz historian in the world because he was there to witness firsthand the music’s evolution from big band and swing to fusion and bossa nova; and to dive into the souls of the men and women who created it from Ellington, Basie, Miles, Ray Charles, Ella Fitzgerald and Dinah Washington, among many others. At the Jazz Band Ball: Sixty Years on the Jazz Scene is an invaluable archive of not only the musical influence of America’s only indigenous music on the world, but its enormous impact as an engine for social change as well. It is a book that should be read by every young musician, music fan, and educator in America.”—Quincy Jones

"The very best witnesses in the worlds of the law, aesthetic evaluation, social contexts of imposing significance, and artistic public performance are those who accurately understand what they have seen or what they are seeing. Nat Hentoff has been and continues to be a star witness in every one of those arenas. One of the greatest contributions of his jazz writing is that he has never felt the need to condescend to black people or to let the dictates of sociology diminish the universal significance of what they do when they do it well. Nat knows that so many jazz musicians have done what they do superbly, quite often expressing themselves beyond the narrows of color. As sensitive to the Americana of jazz as he is to its transcendent revelations about the sound of the human heart, Nat Hentoff is part of our American luck."—Stanley Crouch

At the Jazz Band Ball is full of nuggets from Nat's rich lode of wit and wisdom, gleaned in a lifetime of fellowship with jazz and its makers.”—Dan Morgenstern, Director, Institute of Jazz Studies, Rutgers University; author of Living With Jazz: A Reader
 

Contents

Introduction
1
Part One What Am I Here For? The Rules of My Jazz Odyssey
7
Who Owns Jazz? 2 My Debt to Artie Shaw 9
9
The Family of Jazz
12
Beyond the Process
14
Playing Changes on Jazz interviews
16
Part Two In the Presence of Ellington
19
inside the Ellington Band 21 23 24
21
Sinatra Sings in Vegas and You Are There
87
Shes on the Road to Renown
89
Bing and Guests Swing on the Air
91
PART SIX THE LIFE FORCE OF THE MUSIC
95
The Joyous Power of Black Gospel Music
97
The Healing Power of Jazz
99
Old Country Jewish Blues and Ornette Coleman
101
The Jewish Soul of Willie The Lion Smith
103

Duke Ellingtons Posthumous Revenge
23
Part Three Jazz Credentials
29
is Jazz Black Music? 31 33
31
No One Else Sounded Like Pee Wee Russell
33
Just Call Him Thelonious
35
Remembering Dizzy
40
A Jazz Behemoth Moves On
42
A Great Night in Providence for Jazz and Snow
43
The Perfect Jazz Club
45
The Life of a Music Legend
47
The Music of the 1930s is Back in Full Swing
49
The Expansive Jazz Journey of Marian McPartland
52
Going inside Jazz with Wynton
54
PART FOUR THE JAZZ LIFE ON AND OFF THE ROAD
57
A Conversation with Clark Terry
59
Phil Woods
66
Conventional Unwisdom about Jazz
74
PART FIVE WHO IS A JAZZ SINGER?
77
Are Krall and Monheit Jazz Singers?
79
A Biography in Music
80
This Daughter of Jazz Is One Cool Cat
83
The Springtime of Frank Sinatra
85
PART SEVEN FINDING THE FIRST AMENDMENT GROOVE
107
Satchmos Rap Sheet
109
The Constitution of a Jazzman
111
How Jazz Helped Hasten the Civil Rights Movement
113
The Congressman from the Land of Jazz
117
Jazz Musicians in the Public Square
119
Quincy JonesPast Present and Future
121
PART EIGHT ROOTS
125
King Oliver in the Grooves
127
Giants at Play
129
Barrelhouse Chuck Goering Keeps the Blues Alive
131
Jazzs History Is Living in Queens
133
The Thoreau of Jazz
143
in New Orleans the Saints Are Marching in Again
150
Bridging Generations
157
Born in israel
163
NineteenyearOld Saxophonist verifies Future of Jazz
172
Jon Faddis
178
A House of Swing for All Ages
193
These Little Kids Think Coltrane is Cool
210
Credits
223
Copyright

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About the author (2010)

Nat Hentoff is an internationally known jazz critic and the only critic ever designated a Jazz Master by the NEA. He is a regular columnist for Jazz.com and the Wall Street Journal, the United Media Newspaper Syndicate, and the Cato Institute, where he is a senior fellow. His many books include Jazz Country; Jazz Is; The Jazz Life; Boston Boy: Growing Up with Jazz and Other Rebellious Passions; Living the Bill of Rights; and the forthcoming Is This America?

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