The H.D. Book

Front Cover
Univ of California Press, Jan 5, 2011 - Literary Collections - 678 pages
This magisterial work, long awaited and long the subject of passionate speculation, is an unprecedented exploration of modern poetry and poetics by one of America’s most acclaimed and influential postwar poets. What began in 1959 as a simple homage to the modernist poet H.D. developed into an expansive and unique quest to arrive at a poetics that would fuel Duncan’s great work in the 1970s. A meditation on both the roots of modernism and its manifestation in the work of H.D., Ezra Pound, D.H. Lawrence, William Carlos Williams, Edith Sitwell, and many others, Duncan’s wide-ranging book is especially notable for its illumination of the role women played in creation of literary modernism. Until now, The H.D. Book existed only in mostly out-of-print little magazines in which its chapters first appeared. Now, for the first time published in its entirety, as its author intended, this monumental work—at once an encyclopedia of modernism, a reinterpretation of its key players and texts, and a record of Duncan’s quest toward a new poetics—is at last complete and available to a wide audience.
 

Contents

Chapter I
35
Chapter 2
69
Eros
79
Palimpsest
100
Occult Matters
124
Rites of Participation
153
Chapter I
203
Chapter 2
253
Chapter 6
403
Chapter 7
427
Chapter 8
442
Chapter 9
467
Chapter 10
527
Chapter II
547
Preliminary Notes toward
591
Composition and Publication
647

Chapter 3
279
Chapter 4
313
Chapter 5
351
Credits
659
Copyright

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About the author (2011)

A leading poet of the San Francisco renaissance, Robert Duncan is a member of the international avant-garde. Born in Oakland, California, he has been an editor, a teacher at Black Mountain College and assistant director of the Poetry Center at San Francisco State College. Highly regarded by fellow nonacademic poets, Duncan's poetry is at once learned and spontaneous. Its form seems at once innate and wrought, complex, and wonderfully musical. He received the Harriet Monroe Memorial Prize (1960),a Guggenheim Memorial Award (1963), the Levinson Poetry Prize (1964), a National Endowment for the Arts grant (1967), and the Eunice Tietjens Memorial Prize (1967). After a self-imposed silence of many years, Duncan published a challenging volume in 1984, The Ground Work, a book he designed himself. He continues to be one of the chief advocates for the poem as "wisdom literature" and not just personal expression or artifact.