Ex-Cinema: From a Theory of Experimental Film and VideoWhat does it mean for film and video to be experimental? In this collection of essays framed by the concept Òex-ÓÑmeaning from, outside, and no longerÑAkira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Ex-Cinema is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself. |
Contents
EXCoo Exergue ExCinema | 1 |
EXC01 Out of the Blue Ex Nihilo | 15 |
EXC02 Extimacy | 38 |
EXC03 Cinemnesis | 56 |
EXC04 The Rhetoric of Images of the Unimaginable | 73 |
EXC05 Derrida Specters SelfReflection | 87 |
EXC06 Parenthesis Video Ergo Sum | 106 |
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absence allegory Alpsee André Bazin Andy animal apparatus appears Arnold's cinema autobiography Avant-Garde Bacon Bazin become blindness body camera Caveh Caveh Zahedi Christoph Girardet cinema classroom color Deanimated Deleuze Diana Thater différance documentary dream economy elsewhere erasure ex-cinema excerpts exergue fantasy figure filmmaker films and videos footage force found-footage frames Freud ghosts Gilles Deleuze haunted human hyperrealism inscribed inside invisible Jacques Derrida Jarman's Blue Kracauer Kubelka Lebensztejn longer look Lyotard machine Martin Arnold material Matthias Müller medium mnemic movement narrative original emphasis paracinema Paul Sharits Peter Kubelka Peter Tscherkassky phantasy photographic image possible present produces projection Rachel realism reality recycled reflection renders representation rhetoric Roland Barthes Rosenblatt scene screen memory secondary revision secret Sitney sound Spaces of Inscription spectator specter spectral Su Friedrich surface tekhelet temporality Theory thought tion trace trans unconscious University Press visible visuality Warhol's writing Zahedi