No Documents, No Escape: The Life and Testimony of a Convicted Murderer

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Univ of California Press, Sep 1, 2020 - Music - 272 pages
Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music’s style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of these battles that—from pure fiction to proven truth—led to the triumph of minimalism. Christophe Levaux’s critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history.
 

Contents

4
37
Electronic Music
58
Minimal Music
67
Music with Roots
92
Systems
98
Minimal Music
104
A New Current
111
American Minimal Music
118
Jameson and Lyotard
135
Popular Music
141
New Sounds
174
In Conquest of the TwentyFirst Century
186
Epilogue
198
References
221
Index
255
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About the author (2020)

Christophe Levaux is a researcher at Liège University, Belgium. He is the editor of Boucle et Répétition and Over and Over: Exploring Repetition in Popular Music, and the author of Rage Against the Machine as well as numerous articles published in Tacet, Volume !, Revue et Corrigée, Organised Sound, and Rock Music Studies.

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