Renaissance Futurities: Science, Art, InventionCharlene Villaseñor Black, Mari-Tere Álvarez At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez take as inspiration the work of Renaissance genius Leonardo da Vinci (1452–1519), prolific artist and inventor, and other polymaths such as philosopher Giulio “Delminio” Camillo (1480–1544), physician and naturalist Francisco Hernández de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and Queer Studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression. |
Contents
Camillos Memory Theater and | 41 |
Cervantes in Conversation | 65 |
Leonardos Unpublished Anatomical | 83 |
Searching for the Secrets of the New World | 100 |
Notes | 151 |
Bibliography | 205 |
Contributors | 233 |
Other editions - View all
Renaissance Futurities: Science, Art, Invention Charlene Villaseñor Black,Mari-Tere Álvarez Limited preview - 2019 |
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al-Andalus Álvarez America ancient aortic Art of Memory artists Athanasius Kircher automata automaton azul azurite blue pigments Bruquetas Cambridge Cennini censored censorship century Cervantes Cervantes’s chap Chapuis and Gélis cobalt color culture described discussion Don Quixote Early Modern edition empire equations essay Europe European figure Florence Francis future Giambattista Della Porta Giulio Camillo grotto heart Hérouard historian History human Ibid idea images imperial ingegno invention Islamic Journal King knowledge L'idea L’idea del theatro Leonardo da Vinci Libro literature London machines Madrid magic Martin Kemp mechanical medicine Medieval Memory Theater monde des automates moon Morteza Gharib motion Museum nature Nieremberg Nineteen Eighty-Four novel Orwell Ovid Oxford painter painting Paris Philip pittura published Queen Elizabeth II Renaissance Rome Royal Library scientific secrets smalt Spain Spanish Spanish Empire steganography Studies tion trajectories trans translation treatise Tristia University Press valve Vasari Viglius visual Windsor writes Yates York