Manhua Modernity: Chinese Culture and the Pictorial TurnA free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style. |
Contents
Manhua Magazines Modernity | 1 |
to the West | 81 |
Manhua yuekan 19501960 | 103 |
Epilogue | 149 |
Selected Glossary | 171 |
Works Cited | 179 |
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Common terms and phrases
aesthetic American Anti-Rightist Campaign audience Beegan Beijing caption caricature celebrity chapter Chengdu China Camera Chinese cartoon Chongqing chubanshe color communist created depicts drawings early editors entertainment exhibition experience Feng Feng Zikai figure film Hankou huabao humorous ideological illustrated magazine imagery Japanese Jiuwang lianhuanhua Literary Liu Xiaoqing Lu Shaofei magazine’s manhua art manhua artists Manhua banyuekan Manhua Journey manhua magazines manhua pictorial Manhua Society Manhua yuekan Mass Image masthead mediasphere Mister Wang modern Chinese Modern Miscellany Modern Sketch narrative Nationalist panel period photographs pictorial magazines political popular culture Press print genre propaganda publication published Qing dynasty readers Real Shanghai Resistance Sketch Sanmao satire shadow history Shanghai manhua Shanghai Sketch Shao Shen Shi Dongshan social socialist society’s story style treaty port treaty-port urban everyday urbanites visual wartime West Wuhan Xiyou manji Ye Qianyu Young Chen Zhang Guangyu Zhang Leping Zhenxiang Zhongguo manhua shi


