Foreign Bodies: Performance, Art, and Symbolic AnthropologyIn five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and Western postmodernism are among the artistic domains Napier considers, while the symbolic terrain ranges from Balinese cosmography to body symbolism in biomedicine. In five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and Weste |
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Acrisius activity actually Alan Sonfist Alexander VII alien ambivalence anthropology argue artists Athenian avant-garde awareness Balinese become behavior Bernini black-figure body century complex concept conflation connectedness context creative cult define diseases dissociation Divine Dogon domain Eduardo Paolozzi environmental Environmental Art example exotic experience eye cup fact focus forehead foreign forms Gian Lorenzo Bernini Gnostic Gorgon Greek human ibid iconographie idea identity imagination immunology important Indian individual intaglio intellectual kind Kircher landscape marks meaning Megapenthes mental metaphor metaphysics microcosmic millennial mirror modern modes of thought moreover Museum myth nature Navajo notion obelisk objects one’s oneself particular performance Perseus Perseus-Gorgon person personhood Photo Piazza Obliqua Pisistratus Polydectes primitive Proetus radical realize reflection ritual role Saint Peter’s self-conscious sense significance social specific suggest symbolic theory things thinking Tiryns traditional transformation twins understanding visual Vito Acconci womb words York Yoruba