Arab Modernism as World Cinema: The Films of Moumen Smihi

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Univ of California Press, Mar 10, 2020 - Performing Arts - 302 pages
Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or “Arab Renaissance” of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.
 

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Contents

Radical Realities Form and Politics in the New Arab Cinema
34
The Voice of the Arabs Smihis Soundscapes
73
Kanya makan Intertextuality and Arab Modernism
107
Religion Secularism Modernity
144
For a New Nahda Gender Sexuality and Freedom
180
Notes
213
Filmography
241
Index
261
Copyright

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About the author (2020)

Peter Limbrick is Professor of Film and Digital Media at the University of California, Santa Cruz. He is the author of Making Settler Cinemas: Film and Colonial Encounters in the United States, Australia, and New Zealand.

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