Tonality and Atonality in Sixteenth-Century MusicThis title was originally published in 1961. Many titles in the Voices Revived program are also newly available as ebooks, offered at a discounted price to support wider access to scholarly work. |
Contents
Front Dunstable to Josquin and Palestrina | 42 |
Consolidation of Tonality in Balletto and Lute Ayre | 56 |
Tonality in Dance Music | 43 |
Tonality and Statistics | 16 |
Addendum | 55 |
Other editions - View all
Tonality and Atonality in Sixteenth-century Music, Volume 1 Edward Elias Lowinsky No preview available - 1961 |
Common terms and phrases
accidentals Aeolian Alfred Einstein Angles appears Aron authentic cadence B-flat major balletto bass patterns Benedicite omnia opera Cancionero chansons chap chromaticism circle of fifths composer composition cycle dance literature dance music dissonance Dorian Dufay Dufay’s Dunstable Dunstable’s edition Engel enharmonic equal temperament example F-sharp four measures four-part frottola G major Glareanus Gombosi harmonic progression harmoniche Ibid Ionian mode Ionian on F Josquin Josquin des Prez Lasso Leipzig Libro Luca Marenzio Lydian madrigal major and minor major chord melody modal degrees modality and tonality modern major modern tonality Modo modulation motet musica ficta omnia opera Domini ostinato patterns passamezzo antico passamezzo moderno Petrucci Phrygian piece Pietro Aron polyphonic popular repertory Romanesca saltarello sections secular sixteenth century song Spanish subdominant tablature tonal tonal answer tonal center tonal logic tonal thinking tone tonic transposed Ionian transposed Mixolydian cadence tuning variants Vicentino villancico Willaert written Zarlino