Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture

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Univ of California Press, Mar 26, 2024 - Performing Arts - 320 pages
"From the inception of cinema to today's franchise era, remaking has always been a motor of ongoing textual production. Hollywood Remaking critically examines the persistent economic and cultural relevance of film remakes, series, sequels, crossovers, spin-offs, and prequels that emerge from the large-scale system of remaking actively shape how the film industry, cinema, and audiences imagine themselves as these movies constantly negotiate past and present, stability and change through a serial dynamic of repetition and variation. The book develops a theory of Hollywood remaking as an inherently dynamic practice situated between the film industry's economic logic and the cultural imaginary and analyzes how remaking has developed as a business practice in the United States, how it has been imagined, discursively constructed, and defined by networked stakeholders from production and reception contexts, how it has shaped cinematic aesthetics and cultural debates, and how it has fostered film-historical knowledge, promoted feelings of generational belonging among audiences, and become deeply enmeshed with constructions of the self"--
 

Contents

Introduction
1
Making Sense of Repetition
31
Hollywoods Usable Past
64
Cinematic Pasts and Presents
101
The Remake as Archive
135
Cinematic Seriality from B to A
161
From Sequelitis to the Forever Franchise
186
Rebooting the Past
221
Notes
233
Selected Bibliography
269
Index
285
Copyright

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About the author (2024)

Kathleen Loock is Professor of American Studies and Media Studies at Leibniz University Hannover, Germany, where she also directs the Emmy Noether Research Group “Hollywood Memories: Cinematic Remaking and the Construction of Global Movie Generations” (https://hollywood-memories.com/).

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