Brought to Life by the Voice: Playback Singing and Cultural Politics in South India

Front Cover
Univ of California Press, Jun 15, 2021 - History - 270 pages
A free open access ebook is available upon publication. Learn more at www.luminosoa.org.

To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.
 

Contents

Prehistories
20
Making a Dravidian Voice
53
On Being Just the Voice 4 The Sacred and the Profane Economies of the Illicit 78 104
78
On Timbral Qualia
131
Liveness and Deadness in
158
Antiplayback
187
Notes
205
References
225
Index
243
Copyright

Other editions - View all

Common terms and phrases

About the author (2021)

Amanda Weidman is Associate Professor of Anthropology at Bryn Mawr College and the author of Singing the Classical, Voicing the Modern: The Postcolonial Politics of Music in South India.

Bibliographic information