Speaking Out of Turn: Lorraine O'Grady and the Art of LanguageSpeaking Out of Turn is the first monograph dedicated to the forty-year oeuvre of feminist conceptual artist Lorraine O’Grady. Examining O’Grady’s use of language, both written and spoken, Stephanie Sparling Williams charts the artist’s strategic use of direct address—the dialectic posture her art takes in relationship to its viewers—to trouble the field of vision and claim a voice in the late 1970s through the 1990s, when her voice was seen as “out of turn” in the art world. Speaking Out of Turn situates O’Grady’s significant contributions within the history of American conceptualism and performance art while also attending to the work’s heightened visibility in the contemporary moment, revealing both the marginalization of O’Grady in the past and an urgent need to revisit her art in the present. |
Contents
| 1 | |
1 Mark My Words | 25 |
2 I Am Not a Performance Artist | 61 |
3 Manifestos and Mythmaking | 99 |
4 The Diptych and Spatial Narrative | 127 |
Other editions - View all
Common terms and phrases
Adrian Piper aesthetic African American Alexander Gray Associates alien Amelia Jones archive art museum art world Artists Rights Society audience avant-garde Baker Interviews Lorraine Baudelaire black artists black feminist Black Middle Class black woman body chapter chromogenic print collage conceptual contemporary art context Courtesy Alexander Gray Courtney Baker Interviews creative critical critique cultural curator cut-paper Cutting Out CONYT David Hammons diptych direct address discourse Draft Duke University Duke University Press Duval early enactments essay exhibition experience Flowers of Evil frame Freeway Fets gallery gaze gender images installation La Malinche labor language Linda Montano Lorraine O'Grady MBN's Midtown Miscegenated Miscegenated Family Album Mlle Bourgeoise Noire narrative Nefertiti Nefertiti/Devonia Evangeline O'Grady's out-of-turn panel performance poems poetry political post-black practice produced race relationship Rivers Sally Hemings social speaking spectators strategies Studies for Flowers theorizing tion turn viewers visual art voice Woman in Red women Writing in Space


