Undead: (Inter)(in)animation, Feminisms, and the Art of War

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Univ of California Press, Apr 15, 2025 - Art - 252 pages

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Undead examines the visual culture of war, broadly understood, through the lens of animation. Focusing on works in which relational, intermedial, and variably paced practices of “(inter)(in)animation” generate aesthetic tactics for thinking about, feeling, and reframing war, Karen Redrobe analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Maryam Mohajer, Ibrahim Nasrallah, and Mary Reid Kelley and Patrick Kelley. Deftly moving between cinema and media studies, peace and conflict studies, and art history, Undead is an interdisciplinary feminist meditation on the complex relationship between states of war and the discourses, infrastructures, and institutions through which memory, change, and understanding are made.

 

Contents

Introduction
1
Interinanimated Loops and the Feminist Politics of Return
73
Interinanimation in Exile
98
Unfinishable Interinanimation
122
Architecture Place Memory
142
Notes
175
Bibliography
201
Illustration Credits
221
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About the author (2025)

Karen Redrobe is Elliot and Roslyn Jaffe Professor of Cinema and Media Studies at the University of Pennsylvania. She is author of Vanishing Women: Magic, Film, and Feminism and Crash: Cinema and the Politics of Speed and Stasis.

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