Golden Ages: Hasidic Singers and Cantorial Revival in the Digital EraA free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Golden Ages is an ethnographic study of young singers in the contemporary Brooklyn Hasidic community who base their aesthetic explorations of the culturally intimate space of prayer on the gramophone-era cantorial golden age. Jeremiah Lockwood proposes a view of their work as a nonconforming social practice that calls upon the sounds and structures of Jewish sacred musical heritage to disrupt the aesthetics and power hierarchies of their conservative community, defying institutional authority and pushing at normative boundaries of sacred and secular. Beyond its role as a desirable art form, golden age cantorial music offers aspiring Hasidic singers a form of Jewish cultural productivity in which artistic excellence, maverick outsider status, and sacred authority are aligned. |
Contents
I didnt know what I was craving until I found it 1 Animating the Archive Old Records and Young Singers 23 1 | 23 |
Cultivating Skill and Ideology in the Cantorial | 56 |
The Limits of Revivalist Aesthetics | 77 |
Stages of Sacred Listening | 114 |
Making Golden Ages the Album | 130 |
Other editions - View all
Golden Ages: Hasidic Singers and Cantorial Revival in the Digital Era Jeremiah Lockwood Limited preview - 2024 |
Common terms and phrases
aesthetic album American Jewish approach archive artists bal tefile Benzion Benzion Miller Beth Borough Park Brooklyn cantorial music cantorial performance cantorial records cantorial training career Chabad choir classic cantorial concert congregation contemporary Hasidic Contemporary Jewish context creative culture experience genre Gershon Sirota golden age gramophone Haredi Hasidic cantorial revivalists Hasidic community Hasidic Jews Hasidic singers Hasidic world Hebrew identity Israel Jewish liturgical Jewish music Jewish prayer Journal of Synagogue khazones Klezmer knowledge Kwartin leaders learning listening liturgical music Malavsky Mayer Boruch melodies Modern Orthodox Moshe musical style nigunim non-Hasidic non-Jewish norms offer old records Orthodox pop piece pop music popular prayer music prayer services prayer texts professional cantors Rabbi rebbe religious ritual role sacred music Salomon Sulzer Satmar secular Shlomo Carlebach Shulem singing social song sound star cantors Steiger stylistic Synagogue Music tradition University Press vocal voice Yanky Lemmer Yanky’s Yiddish Yoel Kohn York Yossele Rosenblatt YouTube


